On the London council estate of Yellowmeads, the people are changing. A mother grows increasingly concerned for her daughter's safety as unsettling strangers close in.

Yellowmeads (2025) is a tale of socio-economic decline told through a uniquely science-fictional lens. Written, directed, shot, edited and scored by me. This was an exercise in taking a sci-fi thriller into experimental directions with otherworldly visuals, all grounded in writing that reflects hard social truths.

Official Selection: Galway Film Fleadh 2024, Frightfest 2024

Winner: Best Director (We Make Films 2024), Best Sci-Fi Short (Indie Suspense Horror Sci-Fi Film Festival 2024)

A young couple must drive through an ash cloud which has turned day into night. A terrifying encounter on their journey forces them to make a life changing decision.

Written and directed by me - alongside VFX, sound design and score. An ambitious foray into sci-fi horror world-building, extracting the maximum potential for suspense and horror with a car, a road, a lantern and a cloud that turns day into night.

Winner of Best Horror Short (European Short Film Festival 2016)

Syndicated by the Alter channel and distributed worldwide by Gonella Productions.

An ordinary domestic argument turns into a fight for survival.

My first short film; a meeting of delicately rehearsed drama with ingenious body-horror special effects. Written and directed by me.

Tony is looking for love, but he’s hiding a sinister secret.

Possibly a video dating agency video FROM HELL.

Devised as a completely anonymous viral video designed to bemuse and mystify an online audience, ‘Video Dating Tape’ is a synthesis of character-lead writing/direction with experiments in obsolete video formats.

Written, directed and wrangled by me, ‘Video Dating Tape’ was shot on Hi-8 tapes and edited in a VCR with circuit-bent electronics disturbing the signals at every step.

Driven by a grassroots publicity campaign using Reddit and other social platforms, ‘Video Dating Tape’ is still a subject of fervent discussion and theorising online and has gained over 250k views through word of mouth alone. It has been included in numerous reaction videos and video essays. In 2018, Thrillist described it as one of the ‘scariest viral videos in Youtube history’.

Set in a fictional 1979 in which Britain has been hit by a surge of paranormal phenomena, this public service information film explains the horrors of the outside world and what to do in the event of an attack.

I wrote, edited, animated, voiced and composed sound design for this 2020 viral film devised as a Lovecraftian parody of Covid-era public service broadcasting, harkening its visuals to the cold-war era ‘Protect and Survive’ films.

This film was my way of reacting to the barage of terrifying public communications at the time - and to practice faithful reproductions of retro aesthetics. It was also a chance to explore my passion for researching old, unusual and esoteric archive films - bringing them to life in unexpected ways.

A sequel to ‘Survive Eldritch Anomalies’ - another Covid-era comedy-horror exploration of archive films and retro aesthetics. Written and edited by me.

An experimental and darkly-humorous take on the dangers of excessive sunbathing, this was a wilfully subversive use of stock footage and archive media, manipulated with VFX and colour grading. Written and edited by me.